Walnut Creek's revitalized Festival Opera, led by General Director Zachary Gordin, continues its 31 st season with an all-new production of Bellini's Norma, featuring acclaimed singer Shana Blake Hill ...
Vincenzo Bellini’s “Norma” is a tale of self-interest versus altruism, an opera built around the concept of social upheaval and personal struggle. In its stunning new production of “Norma,” ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. San Francisco Opera celebrates the opening of its 92nd Season on Friday, September ...
Norma is an opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play Norma, ou L'infanticide (Norma, or The Infanticide) by Alexandre Soumet. It was first produced at La ...
Norma is an opera in two acts by Vincenzo Bellini with libretto by Felice Romani. It was first produced at La Scala in Milan on December 26, 1831. The opera is regarded as a leading example of the bel ...
For more than nine decades, the Metropolitan Opera Radio Broadcasts have brought opera into millions of homes, playing a vital and unparalleled role in the development and appreciation of opera in ...
It has been nearly two decades since Los Angeles Opera ventured the delicate and demanding derring-do of Bellini’s “Norma.” The bel canto masterpiece (or so they say) from 1831 was back on stage ...
Italian opera star Cecilia Bartoli helps the work to gleam anew. Bellini's Norma is an extraordinary piece. A high point in the bel canto tradition, the 1831 opera is as important in the historical ...
The works of Vincenzo Bellini have been a preoccupation of Opera Circle for more than a decade, when the little Cleveland company that could performed the better part of the Italian composer’s ...
While some local arts organizations are content to play it safe, the redoubtable Judy Drucker continues to think big and take bold chances, even in an era of economic scarcity. Drucker’s daring paid ...
Great operas need great leading ladies, and one of the pleasures of being a New York critic is hearing how they develop their roles over time. The big news at the Metropolitan Opera is that Bellini’s ...
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