When it comes to grand opera, it doesn’t get any bigger, or grander, than “Aida,” Verdi’s tragic love story of a captive Ethiopian princess (Aida) and an Egyptian general (Radames) set in Egypt at the ...
Editor’s note: This is the first in a three-part series of reported commentaries on the future of opera. NEW YORK — It’s a big house. The Metropolitan Opera seats nearly 4,000 people up into its fifth ...
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