Sam is a News Editor for Collider and a known lover of all things sci-fi and horror. She spends her days editing news stories, coodrinating exclusives, and working closely with writers to deliver ...
ComingSoon is debuting an exclusive Thunderbolts* clip, showing off the VFX skills that it took to make the latest MCU movie. The exclusive Thunderbolts* clip is an exclusive look behind the film’s ...
For more than ten years, independent filmmakers were told that visual effects would make their films look as good as those made by studios. Digital tools got cheaper, compositing software got easier ...
Netflix released its live-action One Piece adaptation last week, and the show immediately caught on with critics and audiences alike, finishing as the most-watched series on the platform for the week ...
Julia is a Senior News and Resource writer for Collider who graduated from Hofstra University in 2018 with a BA in Film Studies and Production. Since joining the Collider team in 2022, Julia enjoys ...
With the first two chapters of Monarch: Legacy of Monsters now streaming, we recently caught up with VFX Supervisor Sean Konrad (Loki; Ms. Marvel; Deadpool 2) to gather intel on what went into ...
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Best movies that changed the course of visual effects in cinema: ‘Metropolis’ to ‘Tron’
We list the best movies of all time that are still praised for their groundbreaking use of special effects (SFX) and visual ...
On October 11, DGA members in Los Angeles’ DGA Theater Two received information on coordinating and integrating physical effects, stunts, and digital effects when the AD/UPM Council West’s DGA AD/UPM ...
No CGI for Christopher Nolan, so the DNEG VFX team went old school. “He needed me to get on board really early to start investigating what we could do,” Jackson told IndieWire. “And in that first ...
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