Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

On “Poetry in Beauty: The Pre-Raphaelite Art of Marie Spartali Stillman” at the Watts Gallery, Surrey. It must have been fun to be a member of the Pre-Raphaelite Brotherhood, but what about the ...

Every day, Wilmingtonians encounter legacies of the Bancroft family. Samuel Bancroft Jr. (1840-1915) and William Bancroft (1835-1928) radically reshaped Wilmington by preserving public green space, ...

An artist can reveal the true personality of their sitter through a drawing. The first section of the Ashmolean’s exhibition includes intimate portraits of the group’s family, patrons and friends; it ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

The musical theater composer stopped in Wilmington during the “Phantom of the Opera” revival tour to talk about Victorian-era paintings. Andrew Lloyd Webber and curator Sophie Lynford stand in front ...

Andy Grundberg's review of the National Gallery of Art's "Pre-Raphaelite Lens" exhibition ["A brotherhood that inspired a blurred vision," Arts & Style, Nov. 7] was the type of art review that drives ...

The National Gallery of Art’s exhibit “The Pre-Raphaelite Lens: British Photography and Painting” welcomed me with a depiction of two lovers embracing each other passionately. At first glimpse, I had ...

The top-selling image at the museum bookstore of London’s Tate Britain is of a young woman floating on her back in a quiet river. Heavy-lidded eyes stare emptily upwards, lips are parted in confusion, ...