Recitative types in opera | Opera Sense Explanation
Recitative types in opera | Opera Sense Explanation
Sep 13, 2016
operasense.com
This is one of the most overwhelming contrapuntal piece ever! Enjoy and share, please! Beethoven: Sonata No.31 m, op.110 - Last movement - Fugue Glenn Gould: piano The third movement’s structure alternates two slow arioso sections with two faster fugues. In Brendel’s analysis there are six sections – recitative, arioso, first fugue, arioso, fugue inversion, homophonic conclusion (Brendel 1990,[page needed]). The movement uses the scherzo’s concluding ritardando bass arpeggio in F major to resolv
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This is one of the most overwhelming contrapuntal piece …
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songs that you didn't know that you know, pt. 4! #operahistory #music …
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Brief History of Music: An Introduction - CMUSE
Brief History of Music: An Introduction - CMUSE
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cmuse.org
Music History 10 | The Royal Conservatory of Music
Music History 10 | The Royal Conservatory of Music
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rcmusic.com
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